Loree Oboe Serial Number Listing



  1. Loree Oboe Models
  2. Cabart Oboe Serial Numbers
  3. The Oboe BBoard - Woodwind
  4. Loree Oboe Serial Number List
  5. Loree Oboe Serial Number Listing Lookup

Loree Oboe Serial Number Listing Average ratng: 6,1/10 2592votes Loree Oboe Serial Number Age List Dedicated to the Art of Your Double Reed Playing, we offer oboe reeds, bassoon reeds, oboes, bassoons, reeds, used oboes.

  1. 121 Step-Up Oboe. 122F Student Oboe. 1492B Student Oboe.
  2. My oboe’s serial number is just 90. I don’t see any letters before the number. Did Loree ever have serial numbers that were only digits? I also read here or elsewhere that the letters are engraved shallower compared to the number and can get worn out. Also, the number is not in the usual place.

Carlos Coelho’s

Lorée Royal Oboe

plays irrefutably better, and has the

best price.

Since 1989, Lorée has offered a masterpiece of art, combining musicality, reliability, and beauty: Le Royal.

Special attention is paid to the selection of the wood, and only the pieces with the most beautiful aspects are used for its manufacturing. This instrument appeals to those looking for a darker and rounder tone given by thicker wood.

In addition to this, added material reinforcement, stricter tolerances, and a multiplication of tests used during production lead to an improvement of the legendary reliability of the Lorée mechanism.

Don’t forget to check out the Lorée 125 and the Lorée 125 Amethyst below.

The Lorée Royal Oboe includes all the standard features of the Classic Lorée Oboe

Loree Oboe Models

Loree
Tenons with Dual Metal Reinforcement
Adjustable medium C key height – to fine tune the color and intonation of the note
“gR+3” – Full Automatic System
Contact Carlos to get a Custom Quote on this Instrument.
The Lorée Royal Oboe can range in price from approximately $8,000 to $15,000 depending on what features you choose to add to the oboe as well as if you are getting a Lorée Royal, a Lorée Royal 125, or a Lorée Royal 125 Amethyst.
The Lorée Royal Oboe: $8,000 – $8,500.
The Lorée Royal 125 Oboe: $9,200 – $9,600.
The Lorée Royal 125 Amethyst Obo: $11,500 – $15,000.
The price of an instrument can be higher depending on the optional features you wish to add.
two-year warranty.
If at any time during the warranty period, you need to repair
your cracked Oboe or need a tuning adjustment, contact
Carlos. He will take care of it for you for free, though you will
You can play your Oboe before you buy it, so that
you know exactly what you’re getting. Contact Carlos for more
Before leaving Carlos, your new Lorée Oboe will have a play-
instrument is at its full potential. This is in addition to the Oboe
Number

Cabart Oboe Serial Numbers

To commemorate Lorée’s 125th Anniversary in 1996,
the 125 Série Limitée was created. After wide success,
it was permanently introduced as the Lorée 125 Oboe.
The Royal 125 Oboe Includes all the Features of the Lorée Royal Oboe – Plus:
Large Gold-Plated Reed Well
Gold-Plated Rings and Posts

The Lorée Royal 125 Amethyst Oboe takes the Lorée Royal 125 Oboe a step further.

The most significant differences are the gold plated keys, the attractive Amethyst Jewel set in the bell, and the dark purple leather case and case cover included with the oboe.
The Royal 125 Amethyst Oboe Includes all the Features of the Lorée Royal 125 Oboe – Plus:
An Amethyst Jewel set in the Bell
Carlos’ financing rates, the best in the business, can
help you afford the Oboe you are looking for without breaking
finding the best oboe for you, contact Carlos.
If you would like to try an Oboe before you buy it or

to speak with someone who truly knows a
Lorée Oboe – for guidance, advice, and
more information.

c+3” Full conservatory plateau system

Grenadilla wood – silver-plated keys
All trill keys – 3rd octave key
Forked F resonance key
Left hand F key
Low B flat resonance key

This instrument is also available in “AK” model (Ref. “c+3 – AK“) and full automatic system (Ref. “g+3“)

Over the past 25 years Lorée instruments have offered me help, guidance, strength, and flexibility to expand my musical ideas, push my boundaries, and find my own voice. I am very grateful!

Eugene IzotovPrincipal oboe of the San Francisco Symphony

Performing on Lorée has made my artistic and professional life so rewarding. With all the variables inherent in playing the oboe, we have to be able to trust our instrument if nothing else! And I trust Lorée. We are so lucky to have this family of innovative perfectionists making the best oboes in the world and who support and encourage the artists that play on them.

Dwight ParryPrincipal oboe of the Cincinnati Symphony Orchestra

F.Lorée instruments enable me to be the best musician I can be. I feel there’s so many colours to be found, I can be flexible, create ‘my’ sound and take musical risks, safe in the knowledge my instruments won’t limit me or let me down.

Alison TealePrincipal cor anglais of the BBC Symphony Orchestra, Professor at the Guildhall School of Music

Pourquoi jouer depuis 30 ans les instruments F.Lorée ?
Si les qualités de finition et de fiabilité mécanique sont de par le monde unanimement reconnues et partagées par mes hautbois, hautbois d'amour et cor anglais, le musicien profite au quotidien de la fluidité, justesse parfaite sur toute la tessiture, richesse harmonique et surtout de la capacité des instruments F.Lorée à s'accorder au cœur et à l'âme du musicien, à se plier à ses moindres exigences sans lui imposer un son stéréotypé ou standardisé. Ces atouts forment un ensemble qui détermine au plus haut point le choix de l'artiste.

Stéphane GoyeauMusicien freelance, Professeur au conservatoire de Paris XVIII et au CRR de Reims
Lorée's craftsmanship, knowledge, and legacy in the instrument making world is legendary. Their instruments have a vast color palette with the unique ability to allow the individuality of each musician to shine through. They enable me to play the variety of repertoire that I enjoy and inspire me on a daily basis! Thank you for all the wonderful instruments over the years!
Listing

The Oboe BBoard - Woodwind

Nathan HughesPrincipal Oboe of the Metropolitan Opera of New York, Oboe Faculty at The Juilliard School

As a performer I am in need of extremes, in dynamics, in range, in expressivity, in colors, and I need an oboe which can deliver all of this and much more, instantly, without the need to bend my technique or my reeds to it. Throughout my entire career I have been blessed by playing Lorée oboes providing all the support I needed for my musical and technical demands. Lorées are 'Strads', they are instruments which invite me to reach higher and better.

Alex KleinPrincipal oboe of the Calgary Philharmonic Orchestra, Professor at DePaul University in Chicago

I would like to thank the Lorée company for making such great instruments that allow me to express myself the best way possible!

Loree
Dmitry MalkinEnglish horn of the Israel Philharmonic Orchestra

There is only one oboe which gives me the flexibility to express music in the way I envision, to color and shape the sound, and ultimately to allow me to sound like myself: Lorée.

Frank RosenweinPrincipal oboe of the Cleveland Orchestra

Since there are so many fine oboes being made today by a number of manufacturers, I am often asked 'why do YOU CHOOSE to play the F.Lorée oboe?'. My answer is simple: 'tone quality and intonation'. In addition, I am pleased with the extraordinary balance between stability and flexibility found in the oboes made by the de Gourdon Family.

Richard KillmerProfessor of Oboe, Eastman School of Music
I have been playing Lorees my entire career! I love the range of colors and the simultaneously sweet and dark sound. It offers an ideal balance between flexibility and stability. My Loree is the ultimate creative tool- I feel like I can do anything!
Mary LynchPrincipal Oboe of the Seattle Symphony

Loree Oboe Serial Number List

Un grand merci à la famille de Gourdon qui, à travers les instruments Lorée, continue à faire
vivre le véritable hautbois français avec sa sonorité si riche, pleine et unique.

Timothée OudinotMusicien freelance et membre du « Ciné-Trio »
I am proud to play Lorée oboes since 1972 and always appreciate the care with which they craft each individual instrument, as well as the dedication they show their customers. My Royal oboes are flexible, resonant, and colorful, with great intonation and keywork that allows me to play the most difficult technical passages with ease and fluidity. Thank you, Lorée, for your artistry and craftsmanship!

Loree Oboe Serial Number Listing Lookup

Nancy Ambrose KingFreelance Oboist, Professor of Oboe at the University of Michigan